This is very useful, especially in mind of having run both a T'ai Chi school and a record label / band at times. We were constantly receiving and evaluating warm data, not always effectively... Will you be writing about ways of working with this? I feel it is just as important now to my writing, teaching and art 'lives'. Many thanks, Caro.
One way you and I can think about this blog is it's about helping left-brain artistic practices to survive within right-brain institutions. My context is the Australian arts landscape, which has its own particular political economy. I'll be interested to see how applicable this feels in other contexts (e.g. T'ai Chi, the UK).
This is very useful, especially in mind of having run both a T'ai Chi school and a record label / band at times. We were constantly receiving and evaluating warm data, not always effectively... Will you be writing about ways of working with this? I feel it is just as important now to my writing, teaching and art 'lives'. Many thanks, Caro.
In time, yes.
One way you and I can think about this blog is it's about helping left-brain artistic practices to survive within right-brain institutions. My context is the Australian arts landscape, which has its own particular political economy. I'll be interested to see how applicable this feels in other contexts (e.g. T'ai Chi, the UK).